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HD Surround Sound for your HD productions (or just better SD stereo ) I'm equipped with the fantastic FAIRLIGHT DREAM II CONSTELLATION-XT powered by the new CC-1 'engine'. This combined 96 track mixer and editor is capable of simultaneous mixes in 5.1 HD and stereo SD plus multiple 'audio stems'. Integrated video drive and Dell Audio Server for programme files and 500Gb sound FX library. |
Postfade Sound - Pinewood Studiosc/o OutPost FacilitiesPinewood Film and TV Studios Iver Heath Bucks SL0 0NH |
Telephone: 01753 630770 Fax: 01753-630771 |
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I can be contacted directly on: mobile 07973 602127 or e-mail: here |
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I'm David Taylor, sound editor and post-production sound mixer. My sound studio is adjacent to OutPost Facilities, a major video company at Pinewood Studios, 15 miles 'out west' in rural Bucks-for those who don't need to be 'in town'. |
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In a 'previous life' I was a Sound Supervisor at London Weekend and Head-of-Sound at Limehouse TV (now Fountain TV). I moved into full time post production mixing about 12 years ago. I've done TV and film sound work across every type of production, from major comedy shows like Harry Enfield, Mr Bean and Shooting Stars, documentaries and features like Dispatches and Inside Story to simple inserts for daytime TV.
I take charge of the complete sound post production process, including FX tracklaying, any foley and ADR, to the finished stereo or Dolby Surround mix. |
Examples of recent work:
Hold the front page! Modern equipment can allow alterations 'right up to transmission', but you need to be able to make changes and additions to the mix fast when the journalists on a programme like this keep responding to the weekend newspapers!
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SCRAPHEAP CHALLENGE RDF for Channel 4
This and other RDF programmes are post produced in association with OutPost Facilities. This year we had a completely tapeless workflow, with pictures from Sony XDCam and location audio on Firewire drives. A
more complex production for audio than might be expected as the programme
requires 15 separate mics to be recorded continuously for 2 10 hour days.
As you can't rely on the picture editors to access the best sound, you
must have it all available and traceable! |
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MAXIM VENGEROV Landseer for ITV A South Bank Show, an extended 'international version' and a complimentary concert performance film 'Maxim Vengerov in Moscow'. Arguably the world's top classical violinist, the South Bank Show shows Maxim learning the electric jazz violin and also 'how to tango' (for a new concert piece). The films are produced by Ken Howard for Landseer Films. |
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ME and MO Umbrella Films for Al Jeezera For Al Jazeera, the first of a new strand for UK office of this now famous broadcaster. This 6 x 25 min series was a biography of the life and work of the photo journalist and cameraman 'Mo' Amin, who came to notice with his Ethopian Famine coverage with Michael Buerk. Presented by his son Salim, the series was produced by Roger Mills responsible for all the Michael Palin travel series. |
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BUILDING THE GHERKIN Independent production An award winning 90 min documentary feature on Norman Foster's new city landmark for 'Swiss Re'. A film by Mirjam von Arx which has been shown in cinemas in Europe (in Dolby Surround) and also as a 52 min TV version on Sky. |
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THE AFRICAN ROCK n'ROLL YEARS BBC music for BBC4 6x 60 min African music documentaries for BBC 4's recent 'Africa Lives' series. Produced by the BBC music department under Mark Cooper. |
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SHAKING DREAMLAND Eagle Films I undertook the sound design and 5.1 mix on this 90 min drama shot on Hi- Def by noted American Cinematographer Robert Driskell. Produced by Katrina Moss and directed by Martina Nagel, it features Philip Winchester, Cloudia Swann and Jesper Christensen. The writer was Ann Clifford.
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CORPORATE Obviously we're good at corporate programming such as voice overs, promos and complete programme mixes.
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Film24 use us for on air promotions and programme features. We can impress your clients with great sound. |